約 5,078,355 件
https://w.atwiki.jp/touhoukashi/pages/3971.html
【登録タグ Absolute One AbsoЯute Zero Rute げ 兎は舞い降りた 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/1085.html
【登録タグ N めらみぽっぷ 凋叶棕 天狗が見ている ～ Black Eyes 曲 永遠の巫女 辿】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mortalonline/pages/74.html
Bleck 名前 買取価格 販売価格 Bleck 25c 5c ソースAmarantum Bleckblende 使用先Bron 素材情報密度 = 5.8 硬さ = 2.4 シャープ = 6 耐久 = 4.5 衝撃吸収 = 0 TenStr = 0 CritMod = 0 抽出 Extraction Machines ワークベンチ 抽出効率 Hearth 0.2 Kiln 0.3 Furnace 0.4 Blast Furnace 0.2 Attractor 0 Grizzly 0.05 Crusher 0.05 Grinder 0.1 Natorus 1 Fabricula 0.6 触媒 Catalysts 触媒 抽出効率 Beeswax 0 Bor 1 Calamine 0 Calx Powder 0.2 Catalyst Coal 0.2 Coke 0.4 Dragon Salt 0 Fuming Salt 0.1 Ichor 0 Palm Oil 0 Rock Oil 1 Sulfur 0.25 Water 0.6
https://w.atwiki.jp/blockstory_jp/pages/14.html
wiki編集用のブロックの画像素材。 #ref(ファイル名,imgs/items) とすることで画像を使用できます。 小さくしたい時は #ref(ファイル名,imgs/items,width=64,height=64) のようにしましょう。 14/01/24追加分 Acid.png Air Ring.png Angelic Sword.png Apple.png Aragog Eye.png Arrow.png Arrow.png Blue Dye.png Boar Skin.png Boat.png Bone Shield.png Bone.png Bow.png Bread.png Bucket.png Bullet.png Candle.png Car Body.png Car.png Chair.png Coal Ore.png Coconut.png Cryptonite.png Crystal Sword.png #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Dark magic.png) Dark Magic.png Destroyer.png Diver Suit.png Door.png Dragon Armor.png Dragon Boots.png Dragon Heart.png Dragon Helmet.png Dragon Pants.png Dragon Ring.png Dragon Scale.png Dragon Shield.png Electrite.png Emerald Ore.png Engine.png Epic Sword.png Exprosive Arrow.png Fence Gate.png Fence.png Fire Arrow.png Fire Magic.png Fire.png Flippers.png Fuel.png Goblin Armor.png Goblin Helmet.png Goblin Pants.png Goblin PickAxe.png Gold Ore.png Graviton.png Gravity Boots.png Great Sword.png Gun.png Gunpowder.png Hand Torch.png Health Potion.png Hoe.png Horse Skin.png Hunter Knife.png Iron Ore.png Iron Pick Axe.png Jetpack.png Klorium.png Ladder.png Lava.png Letter.png Life Magic.png Long Sword.png Magic Arrow.png Magic Orb.png Mana Potion.png Meet.png Megalodon Toohe.png Miner Helmet.png Mutagen.png My Precious.png Mystic ring.png #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Necklace Of life.png) NeckLace of life.png Pan Tool.png Pipe.png Poison Arrow.png Poison.png Radar.png Raplicator.png Raven Wing.png Red Dye.png Rose Bush.png Rose Flower.png Ruby Ore.png Safebox.png Sappire Ore.png Saw Shield.png Shark Fin.png Sheepskin.png Short Sword.png Skeleton Helmet.png Skull.png Soul.png Spider Fang.png Spikes magic.png Spirit Necklace.png Springs.png Stair.png Stick.png Stone Pick Axe.png Sulfer.png Swamp.png Table.png Teleport.png Teleportation Arrow.png Tentacles Magic.png Trap Door.png Unobtainium.png Warrior Armor.png Warrior Boots.png Warrior Pants.png Water.png Wax.png Yellow Dye.png
https://w.atwiki.jp/knowledge_library/pages/82.html
パケットフィルタリング(Netfilter)の流れ フィルタリングの範囲 iptablesインストール iptables概要 設定TCPの特定ポートへの接続許可 特定の相手からの、TCPの特定ポートへの接続許可 UDPの特定ポートへの接続許可 特定の相手からの、UDPの特定ポートへの接続許可 iptablesコマンドチェインの作成 チェインの削除 チェイン名の変更 ルールの削除 全体ポリシーの設定 ルールの追加 TCP/UDPルールの追加 ルールの挿入ルールの一覧確認 ルールの追加 ルールの削除 ルールの修正 ルールの保存 TCP Wrapper パケットフィルタリング(Netfilter)の流れ 1.パケットの検査(Checksum and sanity) チェックサムを調査。ここで引っかかるとパケットは破棄される 2.PREROUTING パケットのリダイレクト等、ネットワークインターフェースから送られて来たパケットに対して、アドレスの変換などの処理を行う 3.ROUTING ルーティングを行う。パケットの終点アドレスを調べて、それに従ってパケットの送り先を決定する 4.FORWARD ネットワークインターフェースから渡されたパケットの転送を行う 5.INPUT ローカルプロセスへのパケット配送を行う 6.OUTPUT ローカルプロセスからネットワークインターフェースへパケット送信。 7.POSTROUTING ネットワークに出力されるパケットに対しての処理を行う。アドレス変換など フィルタリングの範囲 通信元のホスト 通信先のホスト 利用するプロトコル(サービス) パケットが届いた物理インターフェース iptablesインストール #yum y install iptables iptables-ipv6 ←IPv6版 iptables概要 Service Name iptables ip6tables Control Program /sbin/iptables /sbin/ip6tables Configuration files /etc/sysconfig/iptables/etc/sysconfig/iptables-config /etc/sysconfig/ip6tables/etc/sysconfig/ip6tables-config Document files /user/share/doc/iptables-1.4.7 Lock File /var/lock/subsys/iptables /var/lock/subsys/iptables Control script /etc/init.d/iptables /etc/init.d/ip6tables Script parameters start stop restart fore^reload condrestart try-restart status panic save Startup 2 3 4 5 / 08 92 設定 /etc/sysconfig/iptables *filter (1) INPUT ACCEPT [0 0] (2) FORWARD ACCEPT [0 0] (3) OUTPUT ACCEPT [0 0] (4) -A INPUT -m state --state ESTABLISHED,RELATED -j ACCEPT (5) -A INPUT -p icmp -j ACCEPT (6) -A INPUT -i lo -j ACCEPT (7) -A INPUT -m state --state NEW -m tcp -p tcp --dport 22 -j ACCEPT (8) -A INPUT -j REJECT --reject-with icmp-host-prohibited (9) -A FORWARD -j REJECT --reject-with icmp-host-prohibited (10) COMMIT (11) /etc/sysconfig/ip6tables *filter (1) INPUT ACCEPT [0 0] (2) FORWARD ACCEPT [0 0] (3) OUTPUT ACCEPT [0 0] (4) -A INPUT -m state --state ESTABLISHED,RELATED -j ACCEPT (5) -A INPUT -p icmp -j ACCEPT (6) -A INPUT -i lo -j ACCEPT (7) -A INPUT -m state --state NEW -m tcp -p tcp --dport 22 -j ACCEPT (8) -A INPUT -j REJECT --reject-with icmp-host-prohibited (9) -A FORWARD -j REJECT --reject-with icmp-host-prohibited (10) COMMIT (11) (1)(11)設定の開始と終了 (2)〜(4)ポリシーの設定 (2)はINPUT,(3)はFORWAED,(4)はOUTPUTの各ポリシー許可 (5)〜(7)標準で許可する通信の設定 (5)コネクションを管理するstateモジュールに対する設定で、いったんコネクションを解説を許可した通信は、その後の通信を継続的に許可する事をさしている (6)icmp,icmpv6パケットを許可しています (7)ネットワークインタフェースloに送られて来たパケッットへのアクセス、ローカルループバックアドレスを許可している (8)通信許可の設定 自身で動作しているSSHサービスに対して通信許可を設定 (9)(10)INPUTとFORWARDの実質的なポリシー (9)は自身に向けた通信のうち、ここまでに定義していないサービスに対する者にはエラーパケットを返す事を指定しています。サービスの公開はこれ以前に設定する必要があります。 (10)このサーバーをルータとして転送されるパケットのうち、ここまでに定義していないサービスに対する者にはエラーパケットを返す事を指定しています。 TCPの特定ポートへの接続許可 -A INPUT -m state --state NEW -m tcp -p tcp --dport [port番号] -j ACCEPT 特定の相手からの、TCPの特定ポートへの接続許可 -A INPUT -m state --state NEW -m tcp -p tcp -s [addr] --dport [port番号] -j ACCEPT UDPの特定ポートへの接続許可 -A INPUT -m state --state NEW -m tcp -p udp --dport [port番号] -j ACCEPT 特定の相手からの、UDPの特定ポートへの接続許可 -A INPUT -m state --state NEW -m udp -p tcp -s [addr] --dport [port番号] -j ACCEPT iptablesコマンド チェインの作成 # iptables -t filter|nat|mangle -N chain チェインの削除 # iptables -t filter|nat|mangle -X chain チェイン名の変更 # iptables -t filter|nat|mangle -E chain ルールの削除 # iptables -t filter|nat|mangle -F chain 省略した場合全て削除 全体ポリシーの設定 # iptables -t filter|nat|mangle -p chain target ルールの追加 # iptables -t filter|nat|mangle -A chain rule [ option ] TCP/UDPルールの追加 # iptables -A INPUT -m state --state NEW -m tcp -p tcp -s 192.168.10.5 --deport 22 -j ルールの挿入 ルールの一覧確認 # iptables -L -n | -v | --line-number ルールの追加 # iptables -I ルールの削除 # iptables -D ルールの修正 # iptables -R ルールの保存 # service iptables save TCP Wrapper アクセス許可ファイル /etc/hosts.allow アクセス拒否ファイル /etc/hosts.deny sshd 192.168.1.10
https://w.atwiki.jp/pyopyo0124/pages/53.html
CHAPTER IX UP CHAPTER XI CHAPTER X Anne s Apology Marilla said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne s behavior. "It s a good thing Rachel Lynde got a calling down; she s a meddlesome old gossip," was Matthew s consolatory rejoinder. "Matthew Cuthbert, I m astonished at you. You know that Anne s behavior was dreadful, and yet you take her part! I suppose you ll be saying next thing that she oughtn t to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don t be too hard on her, Marilla. Recollect she hasn t ever had anyone to teach her right. You re--you re going to give her something to eat, aren t you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She ll have her meals regular, and I ll carry them up to her myself. But she ll stay up there until she s willing to apologize to Mrs. Lynde, and that s final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew s heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it s rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don t you think you d better do it and have it over with?" he whispered. "It ll have to be done sooner or later, you know, for Marilla s a dreadful deter- mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that s the very word," said Matthew eagerly. "Just smooth it over so to speak. That s what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I AM sorry now. I wasn t a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn t in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn t think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I d stay shut up here forever rather than do that. But still--I d do anything for you--if you really want me to--" "Well now, of course I do. It s terrible lonesome downstairs without you. Just go and smooth things over-- that s a good girl." "Very well," said Anne resignedly. "I ll tell Marilla as soon as she comes in I ve repented." "That s right--that s right, Anne. But don t tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won t drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I m sorry I lost my temper and said rude things, and I m willing to go and tell Mrs. Lynde so." "Very well." Marilla s crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I ll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne s dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I m imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I ve disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I m not a boy. I m a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It WAS the truth; every word you said was true. My hair is red and I m freckled and skinny and ugly. What I said to you was true, too, but I shouldn t have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn t. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under- stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I m such an outspoken person. You just mustn t mind me, that s what. It can t be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn t be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one s hair was a handsome auburn, don t you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She s a real odd little thing. Take this chair, Marilla; it s easier than the one you ve got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don t feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself-- a little too--well, too kind of forcible, you know; but she ll likely get over that now that she s come to live among civilized folks. And then, her temper s pretty quick, I guess; but there s one comfort, a child that has a quick temper, just blaze up and cool down, ain t never likely to be sly or deceitful. Preserve me from a sly child, that s what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn t I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla s comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely "I hope you won t have occasion to make many more such apologies. I hope you ll try to control your temper now, Anne." "That wouldn t be so hard if people wouldn t twit me about my looks," said Anne with a sigh. "I don t get cross about other things; but I m SO tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn t think so much about your looks, Anne. I m afraid you are a very vain little girl." "How can I be vain when I know I m homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn t pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn t beautiful." "Handsome is as handsome does," quoted Marilla. "I ve had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren t these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn t it? Aren t the stars bright tonight? If you could live in a star, which one would you pick? I d like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue." said Marilla, thoroughly worn out trying to follow the gyrations of Anne s thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman s hard palm. "It s lovely to be going home and know it s home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I m so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla s heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you ll be a good girl you ll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one s prayers isn t exactly the same thing as praying," said Anne meditatively. "But I m going to imagine that I m the wind that is blowing up there in those tree tops. When I get tired of the trees I ll imagine I m gently waving down here in the ferns--and then I ll fly over to Mrs. Lynde s garden and set the flowers dancing--and then I ll go with one great swoop over the clover field--and then I ll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there s so much scope for imagination in a wind! So I ll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER IX UP CHAPTER XI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 12 (Tue)
https://w.atwiki.jp/touhoukashi/pages/5539.html
【登録タグ DiGiTAL WiNG N 大吉キトゥン 曲 東方オトハナビ 空音】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mrfrtech/pages/49.html
Market Scenario Web scraper software Market, also called as web data extraction or data scraping, is a specialized tool designed to extract data from web pages accurately. Over the past few years, web scraping has become crucial in the big data industry, giving access to different personal and business-related information. It uses intelligent automation to retrieve many data points from the Internet s seemingly endless frontier. Businesses leverage web scraping capabilities to gain a competitive advantage in the market by obtaining important informative data that can be later processed and evaluated for price monitoring, lead generation, equity financial research, maintaining identity, enhancing SEO activities, etc. The data extracted in web scrapping is then used to make intelligent decisions, from executive decisions to individual customer service experiences. The true power of web scraping tools lies in their ability to build and power some of the world s most revolutionary business applications and enhance business operations. The global web scraper software market is witnessing significantly rising revenues. The market rise attributes to the rising uptake of the software across the end-user verticals. Moreover, the proliferation of cloud-based platforms is another key factor escalating market growth. With increasing uses of the Internet and smart connected devices, the market is expected to witness major traction in the years to come. According to Market Research Future (MRFR), the global web scraper software market is estimated to reach exponential value by 2027, growing at an impressive CAGR during the forecast period (2020-2027). Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10347 Competitive Outlook The web scraper software market appears fiercely competitive and fragmented, with several well-established players and new entrants forming a competitive landscape. Strategic partnerships, mergers acquisitions, innovation, brand reinforcement, and collaboration remain prevailing key trends for the leading players. Players leading the global web scraper software market include PilotFish, Inc. (US), Phantom Buster (France), Mozenda, Inc. (US), Hangzhou Duosuan Technology Co., Ltd. (China), Diggernaut, LLC. (US), SysNucleus (India), Octopus Data Inc. (US), ParseHub (Canada), UiPath (US), Import.io (US), Newprosoft (US), Diffbot Technologies Corp. (US), Sequentum (US), Apify (Czech Republic), Dexi ApS (UK), and Datopian (UK), among others. Segmentation The market report is segmented into types, verticals, and regions. The type segment is sub-segmented into general-purpose web crawlers, focused web crawlers, incremental web crawlers, and deep web crawlers. The vertical segment is further bifurcated into advertising media, retail e-commerce, real estate, finance, automotive, and others (research, law, and tourism). Among these, the retail and e-commerce segment accounts for the largest market share. The advertising and media vertical is the next-leading segment in the market. Regional Analysis North America leads the global web scraper software market. Factors such as the vast advances in technology and the presence of large enterprises that utilize web scraper software to transform web information into actionable data drive the web scraping market size. Moreover, increasing uptake and investments in developing cloud-based solutions impact the web content scraper software market growth. The presence of several technology providers in the region and advances in open-source web scraper software solutions boost the web data scraper software market size. The US dominates the regional market due to the wide uptake of various data crawling solutions. Europe is the second-largest market for web scraper software globally. Factors such as the growing number of retail firms, advertising companies, and financial service providers foster the region s website scraper software market share. Additionally, advances in web crawling technologies are the latest trends that support the growth of the regional market. Asia Pacific holds a sizable share in the global web scraper software market. The proliferation of smartphones and the Internet in the region boost the web scraper software market size. Factors such as the increasing demand for web content scraper software, the rapidly growing e-commerce sector, and continued economic growth driving industrialization in the region foster market growth. Furthermore, the rising trend of outsourcing web scraping services creates substantial market demand in the regional market. Industry Analysis Nov. 19, 2020 – Mozenda, Inc. announced an exciting partnership with Dexi.io. With this deal, Mozenda became a part of the wider Dexi brand and product suite. The partnership enables Mozenda to provide its global customer base with extended support hours and resources from various locations in the UK with high data quality, enterprise-caliber project management, and high-quality service form the cornerstone of its offering. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/web-scraper-software-market-10347 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Trending Similar Report** https //picgiraffe.com/passport-reader-market-regions-and-top-key-players-idac-solutions-ier-inc-desko-gmbh/?snax_post_submission=success https //businessarticle.net/esim-market-greater-revenues-during-business-opportunity-regional-analysis-application-driver-trends-forecasts-2027/?snax_post_submission=success https //digitalville.net/casino-market-increasing-trend-opportunity-restraints-opportunities-forecasts-up-to-2027-demographic-geographic-segment-mrfr/?snax_post_submission=success https //socialmediavilles.com/antivirus-software-market-it-security-and-data-protection-and-geographical-analysis-forecast-to-2030/?snax_post_submission=success About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/rinn/pages/35.html
□postgreSQL テーブル名とファイル名との関連を調べる。 postgreSQLは、テーブルとファイルの関係が一致します。 Oralceなどのようなデータファイルを独自で管理するようなことはなく、OSのファイル管理を 利用する形になっています。どのテーブルのデータがどのファイルに実際格納されているかは 下記のSQL文から確認できます。 select relname , relfilenode from pg_class order by 1; (実行例） iplocksdb=# select relname , relfilenode from pg_class order by 1; relname | relfilenode ---------------------------------+------------- pg_description | 16416 pg_group | 1261 pg_proc | 1255 pg_rewrite | 16410 pg_user | 16681 pg_rules | 16684 pg_views | 16688 pg_xactlock | 0 pg_tables | 16691 pg_indexes | 16694 pg_stats | 16698 relfilenode項目の数値が、ファイル名にあたる。データ格納用ディレクトリ の同名のファイルを確認してください。只一定のサイズを超えるとロールオーバー を起こして複数ファイルに分割されます。 その他便利なコマンド テーブルの実際のサイズ(Byte単位） select pg_relation_size( テーブル名 ) データベースの実際のサイズ(Byte単位)：select pg_database_size( データベース名 ) また、各データベースのデータファイルの格納されているフォルダは下記SQL文にて調べる ことができます。 select datname,oid from pg_database; iplrepdb= select datname,oid from pg_database; datname | oid ----------+------- postgres | 10793 template1 | 1 template0 | 10792 (5 rows) datnameがデータベース名に該当します oidが、フォルダの名前に該当します。 PostgreSQL データディレクトリ \base\ oid または PostgreSQL データディレクトリ /base/ oid で示されるフォルダに、PostgreSQLの各オブジェクトに対応するファイルが保存されます。 （テーブル、インデックス) PostgreSQL データディレクトリ は起動時の-Dに指定するフォルダになります。
https://w.atwiki.jp/touhoukashi/pages/5373.html
【登録タグ Bloody Hellfire C EastNewSound 夕月椿 曲 有頂天変 ～ Wonderful Heaven】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*